Original title | Glorifying the American Girl |
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Film type | Feature |
Category | Fiction |
Director | |
Producer | |
Screenplay | |
Production country |
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Production company | |
Classification | Allowed from age 15 |
Swedish release | 1930-03-15 |
Original title |
|
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Swedish release title |
|
Director | |
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Screenplay | |
Producer | |
Director of Photography | |
Choreography | |
Production Designer |
|
Story | |
Executive Producer |
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Musical Director |
|
Costume Designer |
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Mary Eaton | Gloria Hughes | ||
Eddie Cantor | som sig själv | ||
Helen Morgan | som sig själv | ||
Rudy Vallee | som sig själv | ||
Dan Healy | "Miller" | ||
Kaye Renard | "Mooney" | ||
Edward Crandall | Buddy | ||
Gloria Shea (as Olive Shea) | Barbara | ||
Sarah Edwards | Mrs. Hughes | ||
Singing and Dancing Chorus of Seventyfive Glorified Beauties | |||
- | Ej krediterade: | ||
Norman Brokenshire | speaker | ||
Desha Delteil | dansare i bubbeldansnumret | ||
Nancy Kelly | liten flicka | ||
Bull Montana | kund som frågar efter "Baby Face" | ||
Tony Sansone | dansare i finalen | ||
Louis Sorin | skräddarassistent | ||
Johnny Weissmuller | Adonis i avsnittet "Loveland" | ||
Noah Berry (as Noah Beery) | som sig själv | ||
Irving Berlin | som sig själv | ||
Billie Burke | som sig själv | ||
Charles B. Dillingham | som sig själv | ||
Texas Guinan | som sig själv | ||
Otto Kahn | som sig själv | ||
Ring Lardner | som sig själv | ||
Jimmy Walker | som sig själv (New Yorks borgmästare) | ||
Florenz Ziegfeld | som sig själv | ||
Adolph Zukor | som sig själv |
Production Company | Paramount Famous Lasky Corporation | ||
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Copyright | Paramount Famous Lasky Corporation | 1929-12-07 | LP905 |
Distributor in Sweden (35 mm) | Film AB Paramount | 1930 |
Censorship number | 44106 |
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Date | 1930-01 |
Classification | Allowed from age 15 |
Original length | 2182 meters |
Censored length | 2178 meters |
Aspect ratio | 1.19:1 |
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Sound type | Sound |
Sound system | Western Electric Recording |
Colour type | Black and white + colour |
Carrier type | 35 mm |
Frames per second | 24 |
Length in metres | 2460 meter |
Length in minutes | 90 min |
Reels | 10 reels |
1929 | 1929 | |||||
Paramount Studios, Astoria, Queens | New York City, New York | USA | (ateljé) | |||
New York City, New York | USA |
First showing | 1929-12-07 | USA | ||||
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Release in Sweden | 1930-03-15 | Orion | Stockholm | Sweden | Ljudversion. | |
Cinematheque screening | 1990-05-10 | Sweden | ||||
1990-05-16 | Sweden |
Original title | What Wouldn't I Do for That Man? | |
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Composer | Jay Gorney | (1929) |
Lyrics | E.Y. Harburg | (1929) |
Sung by | Helen Morgan |
Original title | There Must Be Somebody Waiting for Me | |
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Composer | Walter Donaldson | (1929) |
Lyrics | Walter Donaldson | (1929) |
Performed by | Mary Eaton | |
kör | (Ziegfield chorus girls) |
Original title | No Foolin' | |
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Composer | James F. Hanley | (1926) |
Lyrics | Gene Buck | (1926) |
Sung by | kör | |
Mary Eaton | (repris) |
Original title | I'm Just a Vagabond Lover | |
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Composer | Rudy Vallee | (1929) |
Leon Zimmerman | (1929) | |
Lyrics | Rudy Vallee | (1929) |
Leon Zimmerman | (1929) | |
Performed by | Rudy Vallee | |
The Connecticut Yankees |
Original title | Side by Side | |
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Composer | Harry Woods | (1927) |
Lyrics | Gus Kahn | (1927) |
Original title | Blue Skies | |
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Composer | Irving Berlin | (1927) |
Lyrics | Irving Berlin | (1927) |
Original title | Tulip Time | |
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Composer | Dave Stamper | (1919) |
Lyrics | Gene Buck | (1919) |
Sung by | kör |
Original title | Sally Won't You Come Back? | |
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Composer | Dave Stamper | (1921) |
Lyrics | Gene Buck | (1921) |
Original title | A Pretty Girl Is Like a Melody | |
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Composer | Irving Berlin | (1919) |
Lyrics | Irving Berlin | (1919) |
Sung by | kör |
Original title | Baby Face | |
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Composer | Harry Akst | (1926) |
Benny Davis | (1926) | |
Lyrics | Harry Akst | (1926) |
Benny Davis | (1926) | |
Sung by | Mary Eaton |
Original title | Bye, Bye, Blackbird | |
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Composer | Ray Henderson | (1926) |
Lyrics | Mort Dixon | (1926) |
Sung by | kör | (picknickgäster) |
Original title | Spooning with the One You Love | |
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Sung by | Dan Healy | |
Kaye Renard | ||
Danced by | Dan Healy | |
Kaye Renard |
Original title | Sam, the Old Accordion Man | |
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Composer | Walter Donaldson | (1927) |
Lyrics | Walter Donaldson | (1927) |
Danced by | Dan Healy | |
Mary Eaton |
Original title | Hot Feet | |
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Composer | Jimmy McHugh | (1929) |
Lyrics | Dorothy Fields | (1929) |
Sung by | Mary Eaton | |
Dan Healy | ||
Danced by | Mary Eaton | |
Dan Healy | ||
Dan Healy | (repris) | |
Kaye Renard | (repris) |
Original title | Beautiful Changes | |
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Composer | Walter Donaldson | (1927) |
Lyrics | Walter Donaldson | (1927) |
Original title | At Sundown (When Love Is Calling Me Home) | |
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Composer | Walter Donaldson | (1927) |
Lyrics | Walter Donaldson | (1927) |
Original title | Die Lorelei | |
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Composer | Friedrich Silcher | (1837) |
Original title | The Fountain of the Acqua Paola | |
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Composer | Charles Tomlinson Griffes | (1915/1916) |
Original title | Nights of Gladness | |
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Composer | Charles Ancliffe | (1912) |
Original title | Doll Dance | |
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Composer | Nacio Herb Brown | (1926) |
Lyrics | Arthur Freed | (1926) |
Original title | I'll Be There | |
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Sung by | Mary Eaton |
Size | Smaller than 40 x 75 cm |
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Quantity | 2 |
Size | About 70 x 100 cm |
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Quantity | 2 |
Black and white print | set |
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Colour prints | No |
Behind the scenes prints | No |
Slides | No |
Digital images | No |
Negatives | No |
Contact sheets | No |
Album | No |
Type | Program/Reklamtryck |
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